It’s funny that I haven’t written many reviews on some of
the classic original death metal bands. I guess it’s time to start things up
again on one of Sinister’s latest releases, The Silent Howling. Just to let you
know, I know Sinister’s music VERY well. If you’re one of those “it’s all about
the old school” kind of guys, my favorite Sinister album is Hate, released in
1995. I say that because I write reviews on recent albums released by these
really old thrash metal and death metal bands and I get all these conservatives
flooding me with the typical “THEY SUCK NOW” bullshit. Yeah, there are bands
that aren’t as good as they used to be like Bolt Thrower, Obituary, and
Sepultura. But here I am again, reviewing an album released in 2008 by a band
who released their debut in 1992.
Sinister has done a pretty good job at keeping up with the
constantly evolving death metal sound while still having a strong “old school
death metal” vibe. One thing that people notice is that drumming in death metal
is MUCH more technical than it used to be. You can see this in Sinister especially
when you compare Hate with The Silent Howling. Not only is The Silent Howling
much faster and more energetic than Hate, but it’s also more complex and
technical. But remember, technicality and speed alone doesn’t mean awesomesauce;
there has to be plenty of creativity to back it up. And let me tell you
something folks, Sinister has fucking creativity in their music.
Probably what I like most about Sinister is that they’ve
managed to gradually evolve their sound over the years, but still have it be
all 100% SINISTER. There are a lot of death metal bands nowadays that come out
with new albums that sound exactly like the album they released in the early
nineties. Of course, there are countless better death metal albums and bands
than Sinister, but as far as keeping it all original, Sinister has done one of
the best jobs at that.
One thing that I’m starting to notice (I’m preparing to get
bombarded) is that the vocalist sound A LOT like the Behemoth vocalist! I’m not
kidding! He has that same grunted, forced-out growl that can be heard on
Demigod and Evangelion. The drumming could use some more creativity, because
although the frequently used blast beats sound cool, he uses the exact same
blast beat pattern every time. I like to see it when drummers create their own
unique blast beats and keep changing it up every so often to keep things fresh.
The songs don’t all sound identical to the point to where it’s
really annoying, but they all have the same general sound. But the band is
saved by the fact that the slightly overused sound is a really good sound. On
top of these changes, there are a lot more guitar and bass solos than in earlier
Sinister albums. So if you’re one of those guys that likes a solo bass riff or
a fancy guitar lick here and there; but not to the point where it’s too crazy,
The Silent Howling should have a place in your collection. And overall, I would
recommend this album to all traditional death metal fans and to people
interested in getting into pure traditional death metal. I would give this
album 16/20.
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