So in other words, if you’re looking for a new band that
plays a modernized version of pure death metal, Birth of Depravity MIGHT be
just what you need! Ok, there are both plenty of pros AND cons that I have to
say about this record, so I’m going to list the pros first because I need
something to put me in a better mood (I’ve had a long day). The overall sound
production of the album is VERY similar to Disentomb’s Sunken Chambers of
Nephilim. It has a small amount of treble, and the mid-ranges and bass are
turned way up. So if you need something to listen to on those shitty earbuds of
yours that doesn’t hurt your ears with all the treble, this album is PERFECT
for that because the treble is not overpowering at all and the sound is very
thick and heavy.
The vocalist definitely has a talent for doing some of the
deepest exhales I’ve ever heard. They sound a lot like the INHALED growls the
Disentomb vocalist does on their debut album. But damn, this guy’s growls have
a very clean, moist, and DEEP sound that really intensifies the darkness of the
music. Although screaming in death metal can definitely sound cool, there are
certain bands that require the deepest growls possible (like Immolation and
Bloodbath). Birth of Depravity’s music definitely has a very dark and menacing
sound. And the perfect element to really make that darkness stand out is deep
growls.
The drummer also has TONS of technical skill. He does fall
out of time here and there (not a good thing AT ALL), but he does a great job
of adding an unrelenting amount of brutality to the music to give them more of
an underground vibe. The drums aren’t overpowering at all; in fact, they’re
almost behind everything else. Obviously, there are plenty of cases where the
drums need to be front and center, but in this album, the drums are in the
perfect place, working as the skeleton holding the other musical elements
together.
Ok, here’s the problem I have with this band: their songs
are unorganized and THEY ALL SOUND THE SAME! It’s nearly impossible to tell the
individual songs apart. There’s usually AT LEAST some kind of lead riff or drum
solo or SOMETHING in each song to help the listener tell them apart; but this
album has none of that! And it’s fucking pissing me off! NO, slapping a random
recording at the beginning of the song doesn’t count! Also, the sound of the
album gets very boring by the time you get past the fifth song and eventually
gets irritating. I don’t mind long songs (my favorite band is Opeth for fuck’s
sake!), but this thing sounds like one song cut up into ten individual
sections, not an album. The album loses its edge very quickly and loses its
flavor even quicker. This is such a huge disappointment because I was so
excited by the time the first four songs finished because they actually sounded
cool.
This band has so much potential, but they express next to no
creativity in this album at all, which leaves it for the pure death metal fans
to like it the most. But don’t get me wrong, this is a good record to add to
the old death metal collection, but it’s nowhere near a classic or an amazing
album. I would rate this album 13/20.
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