For me, there are only two problems that I have with this
album, and one of them isn’t really a “problem”. The first thing that bothers
me is that Bolt Thrower seems to have a tempo issue; they’ve never done the
best job when it comes to keeping time and staying tight. In a lot of the
breakdowns, the drums and the guitars don’t consistently match up. But
thankfully, the breakdowns on this album aren’t as pronounced and obvious as
the more modern breakdowns that the younger crowd knows only too well. Some
people might beg to differ with me on this, but the drummer (on this album at
least) isn’t really that good. He has AMAZING technical skill and really helped
solidify the (at the time) brand new genre known as “death metal”. But his
timing and strength limit him. In songs like Through the Eye of Terror, the
hand that’s playing the snare during the blast beats completely fails at
keeping time. And since the snare is the most audible part of a blast beat, if
it doesn’t keep time, it completely ruins everything.
Even the kick drumming tends to be off a lot of the time.
But the lack of technical skill the drummer has is made up with a lot of
innovative creativity. Almost all of the fills that the drummer does are really
unexpected and just not something you would be used to hearing out of ANY death
metal band! I find a lot of the patterns that the drummer plays during the
breakdowns to be really unique. But then again, he’s pretty fucking lucky to
have so much goddamn creative talent because if it weren’t for that, Bolt
Thrower wouldn’t be NEARLY as legendary as they are.
If you’re someone that really likes the really raspy mid-ranged
growls from the REALLY early albums by Grave, Obituary, Unleashed, Dismember,
and Fleshcrawl, you’ll like the vocals on this (and pretty much any Bolt
Thrower) record. It reminds me a lot of Corpsegrinder’s (post-1994 Cannibal
Corpse) growls: a lot of lower end that’s overtaken by a really high-pitched
raspy sound. The one issue that some people might have (not including me, in
this case at least) is that there isn’t much of a variety in the vocal sounds.
I know that in most cases I can be pretty harsh when vocals (especially
inhales) sound EXACTLY the same and remain completely monotonous and unchanging
for the entire duration of the album, but this is an exception for me. No
matter what point the music is in, the vocals ALWAYS give the music an extra
spark that helps it reach higher levels, even though the growls sound almost
exactly the same everywhere in the album.
Let me change that thought, because I literally JUST noticed
something as I’m listening the album while typing out this review. The growls
do, in fact, change in several places in the album, but they change in
INTENSITY, not PITCH. When people say that the vocals have a lot of variety,
they usually mean that the vocalist lets out different sounding vocals that are
at different pitches. For example, in order to put some variety in the vocals,
vocalists will do both growls and screams. Some vocalists do really low
guttural growls and then occasionally do some less-intense mid-ranged growls.
When I’m talking about INTENSITY, I’m talking about how hard the vocalist is
belting out those growls. There are some parts where he’s growling so powerfully
that you’re expecting one of his lungs to suddenly fly out of his mouth. And
there are some sections where his growls don’t have as much power or intensity;
this is usually when the music is at a slower section or a quieter part.
Anyone that listens to death metal needs to have the first
two Bolt Thrower albums because they are ESSENTIALS. For me, Realm of Chaos is
better than In Battle there is no Law, but I would HIGHLY recommend both of
them to ANYONE who has even the slightest interest in investing a bit of their
time in the old school death metal world. But not just because of that, I would
give this album 17/20 for having innovative creativity, blasting riffs, and
just for the fact that death metal can’t really get any purer and more raw than
this.
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