The Contortionist is a band for deathcore fans that are
tired of the traditional deathcore sound put out by Suicide Silence,
Whitechapel, and Carnifex. There have been some other somewhat “progressive”
deathcore bands that have been rising out of the crypts like Winds of Plague,
Born of Osiris, and Veil of Maya; but none have been nearly as progressive and
experimental as The Contortionist. If you think that these guys have always
been progressive, listen to their earlier demos and EPs because they sound like
pure deathcore. Even though I was especially impressed by their Apparition EP,
their debut full length Exoplanet proves to be far more impressive and mature.
Don’t get me wrong, deathcore can sound extremely mature, but it can also sound
kind of premature, especially when it’s compared to a band’s latter release
that has more of a practiced and confident sound.
Of course anyone can listen to this album and hear
deathcore. But there are tons of other recognizable and unrecognizable sounds
that The Contortionist decide to throw in. For some reason I keep hearing
Oceano peeking their head out here and there. What I mean by that is that some
of the breakdowns have that really spooky mystical sound where there’s no
muting of the guitars and a slow ambient lead guitar riff perfectly laid on top.
Probably the most unique thing about this record is that there are soft
progressive rock sounds with singing. Depending on how you look at it, it kind
of seems like the modernized-deathcore version of Opeth.
Most of the songs give off the same vibe. The bad part about
that is that…well…it shows a slight lack of creativity (although not always).
The good part about that is that the vibe those songs give out is amazing and
never gets old! When I saw these guys open for Periphery, the crowd was
absolutely nuts with me right in the middle of all the action that was going on
(primarily in the pit). Watching them perform a flawless 20-minute set with my
own eyes and ears proved to me that they truly have what it takes to become
huge.
Although I have them listed in my library as “progressive
death”, I never use that description when verbally describing them to someone
else. I always describe them as “progressive deathcore.” And I know that a lot
of you don’t give a crap about all the different genres and whatnot; and be
aware that I’m not someone that thinks less of a band if they don’t stay within
the walls of a certain genre. I prefer that rather than completely stepping
outside the walls of a genre, that bands push and further expand the realms of
a genre like The Contortionist has done.
I’m not going to spend too much time describing individual
songs because I’m sure to unintentionally leave something out if I do. If Opeth
went deathcore, this is most likely what they would sound like. And I would be
sad if Opeth did, because they’re perfect where they are; but I’m very glad
that finally there is a band that is doing this! Not only is The Contortionist
the most experimental and progressive deathcore band out there, they do the
best job at it too. I have my physical copy of this album coming in the mail as
we speak. Hopefully you can say that too sometime in the very near future. I
would give this album 17/20.
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