The End is Where We Begin is Thousand Foot Krutch’s most
recent and most publicized release. It’s really hard to classify these guys
because they’ve spent the duration of their careers hopping back and forth
across the line between hard rock and nu metal. Some of their albums are pure
hard rock, and some of them are downright heavy nu metal. This seems to be the
first album where they decide to find a balance between the two somewhat
similar styles and do what they can to implement an equal amount of both into
their music. I’ve never really been the biggest fan of these guys, but I’ve
known about them for a while and I’ve enjoyed a few of their songs that popped up
on random compilations that have come my way in the past. When I saw that they
released this album, I figured that it wouldn’t hurt to check this out. After
checking this one out, it turned into “checking out” all of the other albums
that they’ve released. Oh yeah, speaking of nu metal, what happened?
Remember the first decade after the millennium (2000-2010)
when nu metal EXPLODED in popularity and EVERYONE was listening to it? Bands
like Godsmack, Korn, Drowning Pool, System of a Down, Slipknot, Saliva, Otep,
Linkin Park, Mudvayne, Disturbed, Sevendust, Deftones, and Papa Roach were at
the top of the food chain (and some still are) and some were releasing amazing
and classic albums that many metalheads, including myself, fell for. This first
decade of the 2000s was where nu metal ruled the metal genre; as hard as it may
be for some people to believe or accept, it’s true. During this time Thousand
Foot Krutch did not become the instant hit that some thought they would become.
Instead, they took a gradual climb in both musical quality and popularity. Around
the year 2008, the nu metal genre had already started to slow down. Godsmack
went on an indefinite hiatus, System of a Down had split, Linkin Park had gone
in a completely different musical direction, Mudvayne sort of evaporated after
the release of their self-titled in 2009 due to their vocalist getting
distracted with his other nu metal band, Hellyeah, and bands like Drowning
Pool, Sevendust, Papa Roach, and Saliva had pretty much been forgotten about by
most people.
Now that these monstrous bands are decreasing in sales,
popularity, and overall publicity, the somewhat lesser-known bands that had
spent this time under their shadows started to shine. Five Finger Death Punch,
Hellyeah, Ill Nino, Stone Sour, Coal Chamber, Chevelle, and Thousand Foot
Krutch suddenly exploded in popularity out of nowhere. The funny thing is…the
sound of their music isn’t really any different than most of the other nu metal
and hard rock bands out there. Thousand Foot Krutch, like 80% of the other
bands that ride along that line between nu metal and hard rock, has always been
nothing more than a carbon copy of what Creed was during the time that they
released their first three albums. So if you think about it, it’s not the nu
metal genre as a whole that has taken a fall…it’s just the REALLY big bands
that have decreased in fame and the popular and underground bands that have
continued to live on, some taking the newly vacant spots formerly occupied by
the top dogs during that ten year period.
If you’re familiar with this genre and what the majority of
the bands that come from it sound like, you already know what the new Thousand
Foot Krutch album sounds like. Unlike most of my friends that stopped
respecting and listening to nu metal years ago, I still have a handful of nu
metal bands that I continue to listen to and enjoy to the fullest. So since I
still see some quality in the genre, I’m still able to recognize good nu metal
when I hear it and be able to separate it from the shitty nu metal. For me,
about 70% of nu metal bands fall in the fuzzy area between these two extremes.
They don’t really have any super disappointing qualities about them, they play
the genre well, they know what they’re doing, but there’s a complete absence of
anything that could possibly give them a boost or make them sound unique or
ambitious. This is what Thousand Foot Krutch is; just bland.
I guess you could say that they’re unique because they can’t
seem to decide between hard rock and nu metal, but even that isn’t saying much
because THERE ARE ALREADY HUNDREDS OF BANDS THAT ARE DOING THE EXACT SAME
FUCKING THING AND HAVE BEEN SINCE THE TURN OF THE FUCKING CENTURY!! It pisses
off people like me that go through this genre searching for bands that ARE
unique and ARE ambitious, especially since this is a band that has been around
since 1995…THAT’S ALMOST 20 YEARS. With that said, it’s obvious that these guys
are more than comfortable right where they are and don’t have any ambitions to
push themselves musically because they’re so wrapped up in their lyrical themes
which I’m not in any rush to discuss. Not only do I not care about a band’s
lyrical themes, I don’t want to say anything about these guy’s lyrics because
of the uproar of controversy it will cause; and we get enough of that bullshit
on the internet enough (Sputnik Music, anyone?).
Anyways, if you look at this album and compare it to the
rest that the genre has to offer, you can’t because it’ll blend in with
everything else before you have the chance to compare and contrast. When
compared to the rest of their discography, this is definitely one of their
strongest releases, and, in my opinion, is the best album that they’ve
released. There really isn’t anything in particular that I don’t like about
this album. The singing is great, the vocal harmonizing is cool, the band is
tight, all of the members do their part, they stay true to the genre, and they
do a good job of contrasting sounds by throwing down really heavy shit and
releasing some softer tracks to even things out. If you’re really into this
type of music, then you’re going to love this album. As for me, I’m giving it a
10/20, right in the mediocre area where it belongs.
No comments:
Post a Comment