If you didn’t catch my review of Strychnia’s debut
full-length, that’s okay, because it’s this EP that needs our attention first.
This relatively young thrash death band really took me by surprise with their
energetic style that manages to have the catchy grooves that thrash metal
carries while still maintaining the brutality that comes with death metal.
Apparently, the band has gone through some lineup changes since the release of
their debut, so the first thing that they had to do after getting a solidified
lineup was record some metal. Instead of going the whole nine yards and going
straight to writing a full-length, Strychnia give us a four-song sample of what
they’ve become to keep us occupied while they work on more music and possibly
some touring. And honestly, I think that this was a great idea because this
helps solidify the lineup even more so that there will hopefully be less
confusion in the future.
Strychnia did a good job at not making a piece of perfection
with their debut, because that would raise the bar a little too high and
possibly even out of reach for their next album. For this new EP, they have
improved in some areas, but only a little. This is okay because they’re already
amazing to begin with, and this is a fucking EP, it’s not supposed to be
amazing, so they’ve still left some elbow room for their sophomore full-length.
Kevin’s vocals have taken a slight change in direction. And,
to be honest, I’m not really digging it as much as the vocals in The Anatomy of
Execution. In Reanimated Monstrosity, the vocalist primarily uses mid-range
growls. He’s one of the best new extreme metal vocalists that I’ve heard in
years; his pitch range is substantial. But in this EP, most of what he does is sort
of in the middle of his range. The mid-range growls that he does are very nasty
and gritty, which are really cool, but it’s replaced A LOT of the growls that
were done in The Anatomy of Execution. So hopefully, we will get to hear more
of those brutal deep growls in the next release. The vocals on this album
definitely have a lot of emotion and rage (not something you hear very much
anymore), but they feel less satisfying due to the lack of deep growls.
But the quality of the overall instrumentation helps make up
for the slight vocal letdown. Strychnia definitely takes a bit of influence
from the deathcore genre; and you can tell because all of the musicians playing
together are much better than the musicians individually. The individual
musicians on this EP are surprisingly good for a bunch of yanks from New
Jersey, and each of them take a little time to solo and prove their skill to
you. Like I just said, their best quality is not something each of them have,
it’s what they all have as a whole. This is something that’s very common in
deathcore. That’s why you don’t hear very many solos or other fancy shit from
most deathcore bands; because they sound better as a BAND than a bunch of
musicians playing simultaneously. Even in the thrash death genre, DevilDriver
and Malevolent Creation owe their popularity to the fact that their #1 skill is
the ability to be a BAND.
The last point that I would like to make has to do with one
of my favorite bands, Dying Fetus. Let me direct you to the first song (also
the title track). There are two breakdowns in this song that sound like a
carbon copy of one of the breakdowns off of Dying Fetus’ Destroy the Opposition
album. Citing influences for bands is not something that I like to do because,
well, I can’t know for sure if a band is an influence unless it’s been
specifically stated by the band being influenced themselves. But then again, it’s
kind of hard to hear these two breakdowns and NOT think DYING FETUS. Whether or
not they were trying to make something with a Dying Fetus vibe, it’s a
fantastic addition that I didn’t see coming. But what I’m worried about is that
they’ll overuse this thing and use it in every song in the future; not a good
idea.
Strychnia started off in 2011 by pointing in the right
direction. Now, two years later, we have physical and audible proof that they
have continued to go in that right direction. And seeing how genuine these
musicians are, it wouldn’t be an unsafe prediction to say that they will most
likely continue to go in that direction. Besides the vocals that I have a
harder time fully enjoying, everything else about the record is good, but didn’t
quite tear up the earth as much as I would like. The songs, although flawless,
are also not quite as memorable as a lot of the ones on their first record. But
regardless of any of that, this is an EP that’s more than worth the money it
costs to obtain it and I would highly recommend this to any fan of extreme
metal. I would give this EP 17/20.
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