Aside from Judas Iscariot, Inquisition (sort of), Xasthur, and
a few other names, black metal from the United States isn’t normally mentioned
when tossing around notable black metal artists. And regardless of what people
might say, the black metal scene in the USA doesn’t have much to speak for.
Yeah, we have A LOT of black metal bands/artists spawning from our capitalist
landscapes, but most of them are…well…shit! We’ve had a few fantastic names pop
up over the course of two-ish decades, some of them even getting very popular!
Fantastic bands like Wolves in the Throne Room, Ceremonial Castings, Agalloch,
Inquinok, Leviathan, Lightning Swords of Death, Castevet, Valdur, Lost Inside,
Lamentations of the Ashen, and quite a few others have come out of the states.
But the sheer number of pathetically short-lived and/or repulsively bad black
metal bands that are from here have really poisoned the country’s reputation
and reliability.
In 2010, some moron from Boston that calls himself Barghast
started a solo project called Word of Unmaking. No idea where that went, but a
year later, Barghast teamed up with one of his drummer buddies and started a
black metal duo known as Grue (Barghast being on vocals and guitar). The first
piece of material that Grue released was in 2012 on a split with none other
than Word of Unmaking. Okay, well I guess having your band be on a split with
your solo project isn’t something that’s done every day so…points for
creativity! Have I heard this split? Fuck no; I’m not even here to talk about
that. What I’m here to talk about is the piece of material that spawned out of
the decision that Barghast wanted to get serious with Grue and see what he
could do with it.
Part of the reason the United States black metal scene is so
weak is because of the lack of solid generic bands. In order to have a house,
you need a strong platform to build it on. The USA has A LOT of progressive
black bands and this new “post-black” bullshit, but very few truly great bands
that stick to the pure black metal sound. Grue is one of those bands. These two
dipshits are what we need, people that KNOW how to play black metal. If there’s
any new band you should be watching, it’s these guys right here. This record
has anything you could ask for, whether it be melody, thrashy parts, blast
beats, droning, atmosphere, etc. The duo doesn’t bother with a droning intro
you might be used to hearing from new bands; they just go straight into playing
at full-force. But unlike something Gorgoroth or Enthroned might do, there’s a
lot of melody involved in what they’re doing. If you listen through the
repeated crashing of the cymbals in the first 30 seconds of the opening track,
you can hear the base melody that’s used throughout the song; and it’s not some
corny or simple black metal riff. It’s just the right amount of melody to keep
their music from being tasteless and dry as well as avoiding going down the
Wolves in the Throne Room path.
My favorite thing about this album is the drummer. A common
issue that comes up in this style of music is having a drummer that can only
play one pattern. The constant blast beats have given black metal a hard time
due to how irritating it can get. The drummer on this record is AMAZING. His
blast beats are perfect, don’t get me wrong there, but he does SO MUCH MORE! He
primarily follows the “3 different drum patterns on the same speed, then change
the speed and do 3 patterns on that speed”, but he constantly throws in random
surprises that do the opposite of make the music predictable. He never falls
out of time, his technique is superb, and his creativity is to the point of
being one of the best black metal drummers I’ve heard in years! Along with the
atmosphere and complex melody, the drummer is definitely the main highlight of
Casualty of the Psychic Wars.
An issue that I have with music in general is monotony. I
NEED there to be variety within the song. Even in grindcore, I require changes
in tempo and pattern. That’s why I love Wormrot, Pig Destroyer, Fuck the Facts,
Gridlink, Rotten Sound, and Napalm Death so much, they aren’t constant mayhem
and speed; they add MORE to it. Grue is an example of a black metal band that has
everything you could expect to hear along with a plethora of surprises and
interesting variations that make them interesting.
Those of you that like to be extra critical on the vocals,
this guy isn’t the absolute best, but he’s not shitty even in the slightest
sense. He sounds a lot like the vocalist for Kvelertak; having a lot of voice,
power, emotion, and sort of a mid-range tone. Lyrical content…I have no fucking
idea, but I just bought the CD (and a shirt) the other day, and the online
description said the CD contained lyrics, so I guess I’ll find out then and
probably add them to a few of those online metal encyclopedias since no one
seems to know (and in my case) or care about the lyrics.
Grue’s Casualty of the Psychic Wars is what I consider to be
the best debut album of 2013. So if you’ve still got your panties in a knot
about Rivers of Nihil, Lost Society, Essence of Datum, and all those other
awesome debuts that were released last year, drop your fucking shit and listen
to Grue because it may change your mind. This record is anything but tasteless
and boring. It has substance, color, emotion, variety, skill, talent,
creativity, grimness, and some of the best fucking musicianship you’ll ever
hear from a black metal record. Everything about this album is 100% flawless.
This is a perfect debut, which means that the bar has been set pretty damn high
for whenever they release their next album (hopefully soon). Give this a
listen, obviously the score is 20/20.
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