Montreal not only has a very healthy metal scene to begin
with, but they also have an unusual amount of technical and progressive death
bands. Atheretic is one of the much more underground bands. Unfortunately,
Atheretic is one of those bands that are pretty much only known by the hardcore
tech death fans and the huge supporters of the Montreal metal scene. The reason
why these guys haven’t released an album since 2006 is because most of the
musicians are in much, much bigger acts. Founding member and vocalist Alexandre
is the recent, but already legendary vocalist for tech death monsters Neuraxis,
and the drummer was part of one of the biggest death metal acts of the local
Montreal scene, Vengeful. The member that attracted me to these guys more than
any other is the guy who I consider to be one of the best metal bassists of
all-time, Dominic Lapointe, who is currently the bassist for the AMAZING
progressive death band Augury, as well as having played with Quo Vadis and
Negativa. I’m not the biggest fan of the Neuraxis vocalist, but he’s never disappointed
me, I have no idea what Vengeful’s music sounds like, but I would never
hesitate to listen to something that features one of my favorite bassists.
Although this doesn’t really seem like it should matter
much, everyone (for some reason) HAS to point out that Atheretic started in
1997 as a traditional death metal band under the name Satanized. After
releasing one demo under that name, I’m assuming that they had a shift in
musical creativity and decided to start off fresh under a different name.
Atheretic then went on to release their first full-length that has much more of
a really brutal and experimental death grind sound than anything else that didn’t
really get the best feedback (it’s ok, but not really that special). Two years
after Dominic’s other band, Augury, released their legendary debut known as
Concealed, Atheretic went under yet ANOTHER shift in musical creativity and
release what I am going to talk about today, Apocalyptic Nature Fury.
Just about everything that was wrong with their first album
is gone. When you listen to it, you hear an immense amount of creativity, but
not enough instrumental skill to release it. I’m not aware of any direct
relations or connections between Atheretic and the Kansas technical death
behemoths Origin, but the number of similarities in the music surprised me.
Something that a lot of technical death bands are trying to do is sound
extremely tight by playing primarily staccato notes with the drummer playing
mainly the toms and kick drums. Not only in the bigger acts, but also in some
of the new and uprising underground bands like Ayin, Carnophage, and Slaughtery
have been shaping their sound like this. Origin, the guys who are considered
the forefathers and leaders of this sound in their genre, are technical, but
rely more on speed, blast beats, and having a wall-of-sound feel to their music
that sounds more like constant stampede of brutality than complex arpeggios and
polyrhythmic breakdowns. This is what Atheretic does, except they still have
some hints of grindcore in their music here and there.
The thing that Origin does that Atheretic DOESN’T do is that
ultra-high-pitched guitar shredding. Atheretic uses the same method to create
that noisy wall-of-sound that Origin does, and that is use an extremely fuzzy
guitar distortion that isn’t as metallic and crunchy. Just to create some
examples of contrast so that you know what I’m talking about, guitar
distortions that are the OPPOSITE of what I’m talking about are used by
Fleshgod Apocalypse, Decapitated, and Hour of Penance. Like a lot of things in
music, everything that is used has some drawbacks, and the major drawback that
comes with the fuzzy guitar distortions is that it’s much harder to hear what
chords and notes the guitarists are playing. It’s not impossible, don’t get
that impression, but for those of you that make a big deal out of being able to
hear what notes are being played and other stuff like that, this could
definitely bother you after a bit.
Besides the occasional guitar solos, Atheretic goes against
the generic technical death method and puts most of their complexity in the
drums and bass, just like Decapitated…only three times faster. Obviously, you
could probably already tell before that the bass is what I love the most about
these guys. And as a matter of fact, I’m not the only one that thinks so; and
after reading other reviews on the internet by people that were drooling over
the bassist, a lot of them either didn’t know that he was from Augury or had no
idea who the fuck Augury was! Pretty much 94% of the soloing is done by the
bassist alone, and it’s almost constant. Behind the wall of monotonous blast
beats and noisy tremolo picking, you can hear Dominic playing scales,
arpeggios, solos, shreds, and just random licks where he repeatedly and
gracefully goes up and down the neck with no effort at all. That’s what I love
about Dominic’s playing; he makes it sound so damn effortless! When you hear
his playing, it all sounds so relaxed and almost psychedelic at some points.
After reading over what I literally just put down, I can see how that doesn’t
seem like it should fit with this immense brutality that Atheretic plays.
Dominic’s playing style has always been the much more
abstract type that isn’t always perfectly sound with the rest of the music. But
that’s part of why I love him so much! The unfortunate problem we have here is
that there are many parts of the album where the bass is SO out-of-place and SO
abstract that it actually doesn’t sound good. Those bassists that sound like
they’re playing an entirely different song but still sound good with the rest
of the band can sometimes have trouble because it’s more than possible to
overdo it. In Apocalyptic Nature Fury, there are just too many parts where
Dominic overdoes it. When we have the guitars shredding the lowest-possible
chords, Dominic is in a different dimension where’s he’s playing all this
complex shit on the two highest strings on his bass and, well, it just doesn’t
match up at all! I love the idea of it, and I’ve seen it be done before, but
this is just crossing the line WAY too much.
Besides that, Dominic couldn’t possibly be more in-sync with
the guitarists and the drummer as far as tempo and the complex riffs go. Here’s
another problem that I have with this album: each of the songs sound a little
TOO similar. Something that’s definitely become a source of competition amongst
technical death bands is making the individual songs much more unique rather
than focusing more on making the overall sound of the album itself unique. When
you look at some of the more recent efforts by Spawn of Possession, Rings of
Saturn, Psycroptic, Obscura, The Faceless, and The Black Dahlia Murder, you can
tell that they’ve been putting more focus on each individual song than before.
And fortunately for many of them, this has been helping them out immensely,
especially the bands that still created an album that has its own unique sound
while managing to make each song differ from each other. This is similar to the
problem that Dominic had is that it’s not that it’s bad, it’s just that it’s
TOO much. The songs end up being TOO monotonous and a little TOO unmemorable.
I couldn’t ask the drumming to be any different. The drummer’s
blast beats are brutal, tight, and give the music a bit of a grindcore vibe that
was probably pulled from the band’s first album. Although I may have made the
drawbacks this album holds sound much worse than they actually are, they’re
still drawbacks; but honestly, I can see through them easily to the point where
if I’m listening to all my technical death stuff on shuffle, I don’t notice any
of it. Apocalyptic Nature Fury is a technical death album that anyone looking
for something more obscure to have in their collection NEEDS to have. Atheretic
have surprised me with this piece and I have high hopes for a follow-up to be
released sometime down the road…after Augury gets around to releasing their
much-needed Fragmentary Evidence follow-up. I would give Atheretic’s
Apocalyptic Nature Fury 16/20.
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