The number of bands out there that are as dependable and
consistent as The Black Dahlia Murder is so small that it’s almost irrelevant.
Ever since their sophomore release in 2005, the technical death behemoths have
yet to release a less-than-amazing record. Each album has only made them
bigger, each one doing more than its predecessor. If you’re a loser like me and
track all the big metal labels on SoundCloud, you probably remember how quickly
Metal Blade racked up the numbers when they posted the first single off the new
Black Dahlia Murder album. I remember looking at my dashboard on SoundCloud and
seeing that Metal Blade Records posted the “title” track from the new album 2
hours ago and the play count already being more than 9000. I know that may not
seem like much, but considering how small the metal community on that site is, that’s
a fucking hell of a quick response. The title of the new record, Everblack, once
again continues their trend of using only one word (Unhallowed, Miasma,
Nocturnal, Deflorate, Ritual, and now Everblack).
The Black Dahlia Murder is known for a lot of things. One of
these things in particular played a big part in everyone’s thoughts on what this
record might sound like. When you listen to just about any Black Dahlia song,
especially Black Valor, Necropolis, Carbonized in Cruciform, A Selection
Unnatural, and a few other select titles, you hear one of the most
unique-sounding blast beats known to humans. The speed, technicality, skill,
and utter tightness is literally unlike anything I’ve ever heard before with
the exception of a FEW (very heavy emphasis on FEW) drummers/gods. But even
then, none of the drummers that I’ve heard have a blast beat that sounds even
CLOSE to what Shannon Lucas does. When I first started listening to these guys
back in 2007 (the year that their legendary Nocturnal album was released), I
only liked them because of the drums. I didn’t start to realize that the rest
of the members also had talent until I saw them live for the first time in
2009. Even today, every time I listen to these guys, the drums are almost
always what I end up focusing on (especially if it’s their Deflorate record).
So taking that into consideration, you can probably imagine
how I might have felt when I saw the video on YouTube of Shannon Lucas, my
favorite thing about that band, announcing that he was leaving The Black Dahlia
Murder. Seriously, you can’t listen to Black Valor and not be able to tell how
fucking unique his blast beats and…well…overall playing style is! I was almost
totally convinced that there was no way that they could find a replacement that
was HALF as good as Lucas. When the song Into the Everblack went live, I actually
didn’t listen to it until over a week later out of fear that the Black Dahlia
Murder that I’ve grown to love and respect was not going to be the same and
would have less-impressive drums. Well obviously, if you’ve already listned to
Into the Everblack, you can probably guess how fucking embarrassed I was with
myself for having even considered that these guys wouldn’t have high enough
standards to never settle for a musician that isn’t top-notch and one of the
best at what they do. This is the fucking Black Dahlia Murder. So yes, the
drums on this album are fucking amazing. The blast beats are SOMEWHAT similar
to Shannon’s, but definitely not the same. Regardless, it doesn’t bother me
because this guy is just as good as Shannon in everything else, and his blast
beats are similar enough to Shannon’s that I can let it slide and not let it
bother me.
Who is this drummer? Well he’s only a few years older than I
am. From the minimal research I did on him, the earliest thing he did was for
some metalcore or deathcore (I didn’t bother listening to their music) band
called The Breathing Process in 2008. The other bands he’s played with are very
recent bands or ones that he just joined in the past two or three years. The
only “notable” band that he’s played for is Abigail Williams, which was from
2011-2012. Although I honestly wouldn’t count that because he didn’t do any
recordings with them that I’m aware of. So basically, this guy is pretty new to
the scene and has to have a hell of a lot of talent and skill to have a band like
Black Dahlia say “that guy right there, we want him on drums”.
As for the rest of the overall sound of the album, it’s
pretty much like every other album they’ve put out. Everblack continues the
change that the band made in Ritual by not having the blistering speed as
constant. But the difference between the two records would be that the mood of
the songs are much more like Nocturnal and Miasma than Ritual, which was a good
decision for them to make. So a simple way to think about it would be to
imagine the Nocturnal album, only a tad slower and not as much blast beat
drumming. The vocalist has gotten a lot better at hitting the low growls, which
has always been an issue before because of how fucking high-pitched the shrieks
he does are. There’s nothing at all about this album that will let you down.
Everything about this is just yet another example of how
consistent and dependable The Black Dahlia Murder is. Despite almost constant
touring, these Midwesterners have managed to craft another masterpiece that I
can say is on my favorite albums of the year list. If you’re very familiar with
this band’s sound, you already know that this is one hell of a fucking beast of
a record. Even if the band’s sell-out reputation has distorted your opinion on
them, I would highly recommend that you listen to this album, or at least Into
the Everblack. Anyone that loves extreme music can find something on this to
love. This gets 19/20.